Alexei Lubimov: Debussy: Preludes - CD
Debussy: Preludes - CD

Debussy: Preludes - CD

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Ürün Hakkında
Barkod: 0028947647355 , Katalog No: ECM2241.42 , Firma: ECM , Seri: ECM New Series , Yayınlanma Tarihi: 2012
Format Türü: CD, Format: 2 CD

ENGLISH

<span data-scayt_word="Debussy" data-scaytid="2">Debussy</span> is closer to the expressionism of <span data-scayt_word="Schoenberg" data-scaytid="5">Schoenberg</span> than to the <span data-scayt_word="chiselled" data-scaytid="6">chiselled</span> sonorities of a Chopin or the extravagant virtuosity of a Liszt, even if his refined art can still be seen in the line of tradition of <span data-scayt_word="19th-century" data-scaytid="7">19th-century</span> music. This is frequently forgotten in the interpretation as well as the assessment of his oeuvre. <span data-scayt_word="Debussy" data-scaytid="3">Debussy</span> himself decried the concept of musical impressionism because he feared, rightly, that superficial refinement would degenerate into musical mist, concealing the subtleties of a new musical idiom and its structural logic. Thus, for example, instead of heading his 24 <span data-scayt_word="“Préludes”" data-scaytid="8">"Préludes"</span> in two books with programmatic titles in his autograph score, he appended them at the bottom of the individual pieces. Perhaps, even though their popularity makes it almost impossible, we ought simply to forget about the titles when playing or listening to these pieces and recall something else that <span data-scayt_word="Debussy" data-scaytid="4">Debussy</span> once said: "Music is a free art gushing forth, an open-air art boundless as the elements, the wind, the sky, the <span data-scayt_word="sea.”" data-scaytid="1">sea."</span> It is in this manner ' sans <span data-scayt_word="rigeur" data-scaytid="10">rigeur</span>, as <span data-scayt_word="Debussy" data-scaytid="11">Debussy</span> repeatedly marked his music ' that <span data-scayt_word="Alexei" data-scaytid="12">Alexei</span> <span data-scayt_word="Lubimov" data-scaytid="13">Lubimov</span> plays the <span data-scayt_word="“Préludes”" data-scaytid="14">"Préludes"</span>. The recording also contains the <span data-scayt_word="“Trois" data-scaytid="15">"Trois</span> Nocturnes" in Maurice Ravel's two-piano transcription as well as a two-piano arrangement of <span data-scayt_word="Debussy’s" data-scaytid="16">Debussy's</span> seminal orchestral masterpiece, the <span data-scayt_word="“Prélude" data-scaytid="17">"Prélude</span> <span data-scayt_word="à" data-scaytid="18">à</span> <span data-scayt_word="l’après-midi" data-scaytid="19">l'après-midi</span> <span data-scayt_word="d’un" data-scaytid="20">d'un</span> <span data-scayt_word="faune”" data-scaytid="21">faune"</span>.
Eser Listesi
CD: 1
Claude Achille Debussy
Preludes Primer Livre
1. Danseuses de Delphes
03:16
2. Voiles
04:00
3. Le vent dans la plaine
02:13
4. Les sons et les parfums tournent dans l'air du soir
03:31
5. Les collines d'Anacapri
02:53
6. Des pas sur la neige
03:52
7. Ce qu'a vu le vent d'ouest
03:25
8. La fille aux cheveux de lin
02:28
9. La serenade interrompue
02:48
10. La cathedrale engloutie
06:08
11. La danse de Puck
02:57
12. Minstrels
02:25
Trois Nocturnes
13. Nuages
06:49
14. Fetes
05:49
15. Sirenes
10:54
CD: 2
Claude Achille Debussy
1. Prelude a l'apres-midi d'un faune - Transcription pour deux pianos (1895)
08:48
Preludes Deuxieme Livre (1911/12)
2. Brouillards
03:54
3. Feuilles mortes
02:58
4. La puerta del vino
03:28
5. Les fees sont d’exquises danseuses
03:12
6. Bruyeres
03:09
7. General Lavine – excentric
02:44
8. La terrasse des audiences du clair de lune
04:12
9. Ondine
03:11
10. Hommage a S. Pickwick Esq. P.P.M.P.C.
02:36
11. Canope
03:02
12. Les tierces alternees
02:40
13. Feux d'artifice
04:49
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