Yaz Esintisi Kampanyası
Çeşitli Sanatçılar: Instruments of the Orchestra (The) - CD

Instruments of the Orchestra (The) - CD

Format Türü: CD, Format: 7 CD
Bu Ürün Stoklarımıza Girince Haberdar Olmak İster Misiniz?
(+) Stoklara Girince Haber Ver
Ürün Hakkında
Barkod: 0636943804025 , Katalog No: 8.558040-46 , Firma: Naxos , Seri: Naxos Educational Products , Yayınlanma Tarihi: 2 Kasım 2002
Format Türü: CD, Format: 7 CD
Eser Listesi
CD - 1
Instruments of the Orchestra
 
1. Wagner: Tannhauser: Overture
00:02:06
 
2. Anonymous: Domna, pos vos ay chausida
00:00:28
 
3. We don't merely use instruments, we play on them. And they play on us.
00:01:19
 
4. Brahms: Hungarian Dance No. 7
00:01:39
 
5. The violin is one of the most tender and beautiful instruments ever invented.
00:00:45
 
6. Brahms: Violin Concerto in D Major: II. Adagio
00:01:08
 
7. But for a long time it was seen as the instrument of the devil.
00:00:17
 
8. Stravinsky: The Soldier's Tale: Triumphal March of the Devil
00:00:45
 
9. The manipulative seductiveness of the gypsy violin
00:00:43
 
10. Anonymous: Csardas Music
00:03:33
 
11. The violin and the imitation of nature
00:00:23
 
12. Vivaldi: The Four Seasons: Spring: I. Allegro
00:00:35
 
13. Birds are again evoked in the second concerto, especially music's natural favourite.
00:00:09
 
14. Vivaldi: The Four Seasons: Summer: I. Allegro non molto
00:00:41
 
15. Like the devil, the violin is a master of disguise.
00:00:18
 
16. Kreisler: Schon Rosmarin
00:01:55
 
17. The menacing sensuality of Ravel's Tzigane; a very different side of the violin:
00:00:15
 
18. Ravel: Tzigane
00:00:51
 
19. Do we now have the true measure of this instrument? Not just yet.
00:00:15
 
20. Paganini: Caprice No. 24
00:00:48
 
21. Bach: Brandenburg Concerto No. 4: III. Presto / Schubert: Quartettsatz in C Minor
00:01:57
 
22. Britten: Variations on a Theme of Frank Bridge: VIII. Moto Perpetuo
00:01:06
 
23. Prokofiev's tremolo in Romeo and Juliet should not be heard just before bedtime
00:00:22
 
24. Prokofiev: Romeo and Juliet: Act IV
00:00:46
 
25. Vivaldi uses it to illustrate the shivering of travellers crossing the ice.
00:00:14
 
26. Vivaldi: The Four Seasons: Winter: I. Allegro non molto
00:00:57
 
27. The violin muted
00:00:31
 
28. Debussy: Clair de lune
00:01:41
 
29. The gentleness of muted strings persists even when a whole orchestra plays.
00:00:30
 
30. Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante
00:01:26
 
31. The pizzicato violin
00:00:38
 
32. Strauss: Pizzicato Polka
00:02:29
 
33. In Prokofiev's Second Violin Concerto, the accompaniment is pizzicato.
00:00:26
 
34. Prokofiev: Violin Concerto No. 2 in G Minor: II. Andante assai
00:02:02
 
35. Kabalevsky: Colas Breugnon / Warlock: Capriol Suite: III. Tordion / Prokofiev: Romeo and Juliet: Act I
00:03:09
 
36. Holst: The Planets: I. Mars: The Bringer of War
00:01:27
 
37. Bach: Sonata No. 3 in C Major for unaccompanied violin: II. Fugue
00:02:09
 
38. Brahms: Hungarian Dance No. 4
00:03:51
 
39. Double-stopping is a standard feature of a lot of folk music.
00:00:14
 
40. Vivaldi: The Four Seasons: Autumn: I. Allegro
00:00:37
 
41. Now the same technique, but the sound might have come from another world.
00:00:30
 
42. Ravel: Bolero
00:00:49
 
43. Double-stopping can only approximate the sound of a real violin duet.
00:00:20
 
44. Joachim: Cadenza to the Violin Concerto by Brahms
00:00:44
 
45. Now compare that with a real violin duet.
00:00:12
 
46. Bartok: 44 Duos: I. Teasing Song
00:00:52
 
47. Another duo by Bartok, demonstrating the violin's rich lower register
00:00:10
 
48. Bartok: 44 Duos: II. Maypole Dance
00:00:40
 
49. And now what may be the most beautiful accompanied violin duet in history
00:00:17
 
50. Bach: Concerto in D Minor for two violins: II. Largo ma non tanto
00:06:43
 
51. The soul of the violin is in song; but what about this weird passage?
00:00:42
 
52. Prokofiev: Violin Concerto No. 1 in D Major: II. Scherzo
00:00:34
 
53. The use of harmonics in the orchestra can be both magical and unsettling.
00:00:29
 
54. Mahler: Symphony No. 1, "Titan": I. Langsam, schleppend (opening)
00:01:33
 
55. Tchaikovsky's use of harmonics in The Sleeping Beauty is both strange and daring.
00:00:11
 
56. Tchaikovsky: The Sleeping Beauty: Act II, No. 15: Entr'acte
00:00:33
 
57. Ravel's harmonics in Mother Goose effect a magical transformation.
00:00:29
 
58. Ravel: Ma Mere l'oye (Mother Goose): IV. Beauty and the Beast
00:00:36
 
59. Stravinsky: The Firebird: Introduction
00:00:32
 
60. The natural upper notes of the violins have a unique emotional "grab"
00:00:32
 
61. Strauss: Also sprach Zarathustra: Of the Afterworldsmen
00:00:55
 
62. Still in their upper register, the violins unleash the energy of a young colt.
00:00:14
 
63. Britten: Variations on a Theme of Frank Bridge: V. Aria Italiana
00:01:10
 
64. Elsewhere, Britten uses the same high register to create a very different mood.
00:00:11
 
65. Britten: Peter Grimes: 4 Sea Interludes, Op. 33a: I. Dawn
00:01:08
 
66. To end this outing with the violins, a charming little elfin dance
00:00:12
 
67. Hellmesberger: Elfenreigen
00:01:29
CD - 2
Instruments of the Orchestra
 
1. Introduction to the viola
00:00:42
 
2. Telemann: Viola Concerto: I. Largo
00:02:46
 
3. Khachaturian gets a very different sound from it: fuller, fruitier, more exotic.
00:00:14
 
4. Khachaturian: Gayane Suite No. 1: III. Armen's Solo
00:01:15
 
5. Very nearly the whole of the violin's upper register is also available to the viola.
00:00:39
 
6. Britten: Peter Grimes: Passacaglia, Op. 33b
00:01:00
 
7. Strauss: Don Quixote
00:01:03
 
8. Berlioz: Harold in Italy: IV. Orgy of Brigands
00:02:00
 
9. The muted viola: intimate, gentle, poignant in Dvorak
00:00:34
 
10. Dvorak: Cypresses: IX. Thou Only Dear One
00:03:00
 
11. The massed violas of the modern symphony orchestra in Mahler
00:00:40
 
12. Mahler: Symphony No. 4: III. Ruhevoll, poco adagio
00:01:13
 
13. The "period" viola in Bach
00:01:05
 
14. Bach: Brandenburg Concerto No. 6: III. Allegro
00:05:18
 
15. The cello: a voice of unique nobility
00:00:28
 
16. Bach: Suite No. 1 for unaccompanied cello: I. Prelude
00:02:30
 
17. Brahms and the "soul" of the cello
00:00:19
 
18. Brahms: Piano Concerto No. 2 in B-Flat Major: III. Andante
00:01:04
 
19. Most orchestral composers tend to emphasise the cello's lower register.
00:00:27
 
20. Bach: Herz und Mund und Tat und Leben, BWV 147: Aria: Bereite dir, Jesu
00:03:03
 
21. In the time of Beethoven the cello remained as fundamental as ever.
00:00:14
 
22. Beethoven: Symphony No. 3 "Eroica": IV. Finale
00:00:46
 
23. But the cello is not condemned to spend its life in the basement.
00:00:33
 
24. Popper: Elfentanz, Op. 39
00:02:55
 
25. Not only in recital showpieces like that is the cello used in its highest register.
00:00:10
 
26. Tavener: The Protecting Veil: opening
00:02:54
 
27. A cello with an identity-crisis: the pizzicato Flamencan
00:00:15
 
28. Tagell: Flamenco
00:02:48
 
29. Double-stopping in the lower reaches of the cello's range
00:00:31
 
30. Cassado: Solo Suite for Cello and Piano: Sardana
00:01:08
 
31. It's in its middle register that the cello really comes into its own.
00:00:21
 
32. Rachmaninov: Oriental Dance, Op. 2, No. 2
00:01:32
 
33. Beethoven: Symphony No. 5: II. Andante con moto
00:00:54
 
34. Beethoven: Symphony No. 9: IV. Finale
00:00:54
 
35. Introduction to the double-bass
00:00:43
 
36. Saint-Saens: The Carnival of the Animals: The Elephant
00:01:32
 
37. But the double-bass can be intensely expressive and graceful.
00:00:10
 
38. Bottesini: Elegy No. 1 in D Major
00:02:37
 
39. Bottesini: Allegro di concerto, "Alla Mendelssohn"
00:00:47
 
40. Bottesini: Capriccio di bravura
00:04:42
 
41. Mahler: Symphony No. 1, "Titan": III. Feierlich und gemessen, ohne zu schleppen / Mahler: Symphony No. 3: I. Kraftig
00:01:33
 
42. Prokofiev: Lieutenant Kije Suite: III. Kije's Wedding / Prokofiev: Romeo and Juliet: Act III
00:02:25
 
43. Beethoven: Symphony No. 5: III. Allegro
00:01:20
CD - 3
Instruments of the Orchestra
 
1. The antiquity and magic of the flute
00:00:20
 
2. Debussy: Prelude a l'apres-midi d'un faune
00:03:19
 
3. The versatility and agility of the flute
00:00:21
 
4. Bach: Orchestral Suite No. 2 in B Minor: VII. Badinerie
00:01:18
 
5. The flute in fifteenth-century Spain
00:00:24
 
6. Anonymous: Sa'dawi
00:00:55
 
7. Other flutes: the bass and alto
00:00:29
 
8. Sallinen: Chamber Music II
00:01:12
 
9. The Piccolo - aptly named
00:00:19
 
10. Rameau: La Naissance d'Osiris: VI. Premier et deuxieme tambourin
00:00:47
 
11. From a piccolo of the eighteenth century to one of its descendants in the twentieth
00:00:09
 
12. Stravinsky: Suite No. 2 for Small Orchestra: II. Valse
00:00:54
 
13. A variety of techniques
00:00:19
 
14. Sallinen: Chamber Music II
00:00:31
 
15. Flutter-tonguing. But Tchaikovsky got there eighty years before.
00:00:28
 
16. Tchaikovsky: The Nutcracker: Act II, No. 2: Scene
00:00:44
 
17. From the transverse to the vertical: the Baroque recorder
00:00:40
 
18. Telemann: Recorder Suite in A Minor: Menuet II
00:02:12
 
19. An unfamiliar, early vision of the instrument
00:00:23
 
20. Baston: Naelden, Naelden
00:01:09
 
21. The Bachian oboe
00:00:35
 
22. Bach: Ein feste Burg ist unser Gott, BWV 80: Duetto: Wie selig sind doch die
00:03:34
 
23. Introduction to the cor anglais or 'English horn'
00:00:41
 
24. Dvorak: Symphony No. 9, "From the New World": II. Largo
00:01:24
 
25. The loneliness of the cor anglais
00:00:11
 
26. Sibelius: The Swan of Tuonela
00:01:49
 
27. The cor anglais joins the French horn in Haydn.
00:00:17
 
28. Haydn: Symphony No. 22, "The Philosopher": I. Adagio
00:01:43
 
29. Introduction to the oboe d'amore, beloved of Bach - but also of Ravel
00:00:22
 
30. Ravel: Bolero
00:00:50
 
31. Herrmann: The Egyptian: Violence / Janacek: Taras Bulba: The Death of Ostap
00:00:37
 
32. Stravinsky: Petrushka: Peasant with Bear / Berlioz: Symphonie fantastique: V. Songe d'une nuit / Prokofiev: Romeo and Juliet: Act II
00:01:38
 
33. As the high clarinets tend to be loud, so the bass tends to be soft
00:00:18
 
34. Khachaturian: Gayane Suite No. 1: V. Gayane's Solo
00:00:54
 
35. Stravinsky: Petrushka: The Blackamoor / Albeniz: Iberia: Almeria
00:01:44
 
36. The range of the normal clarinet parts goes quite high...
00:00:14
 
37. Tchaikovsky: The Snow Maiden: Scene 5: Melodrama
00:01:17
 
38. ....and quite low.
00:00:05
 
39. Prokofiev: Peter and the Wolf: The Cat
00:00:45
 
40. The clarinet as concerto soloist
00:00:19
 
41. Mozart: Clarinet Concerto in A Major: III. Rondo
00:02:48
 
42. But that's not the instrument Mozart wrote it for; this is:
00:00:16
 
43. Mozart: Clarinet Concerto in A Major: III. Rondo
00:02:47
 
44. Introduction to the saxophone
00:02:47
 
45. Kodaly: Hary Janos Suite: IV. The Battle and Defeat of Napoleon
00:01:03
 
46. The soprano saxophone has quite a different feel to it
00:00:09
 
47. Bizet: L'Arlesienne Suite No. 1: II. Minuet
00:01:17
 
48. The little sopranino sax goes even higher
00:00:12
 
49. Ravel: Bolero
00:00:53
 
50. The most famous use of the saxophone is in an orchestration by Ravel
00:00:16
 
51. Mussorgsky: Pictures at an exhibition: The Old Castle
00:00:55
 
52. The saxophone can be quite contagiously good-humoured.
00:00:11
 
53. Wiedoeft: Sax-o-phun
00:00:22
 
54. The puffa-puffa image of the bassoon
00:00:25
 
55. Prokofiev: Peter and the Wolf: Grandfather
00:00:46
 
56. The Bachian bassoon, in accompanimental mode
00:00:20
 
57. Bach: Weichet nur, betrubte Schatten, BWV 202, "Wedding Cantata": Aria No. 1
00:01:19
 
58. Bizet: Carmen Suite No. 1: V. Les Dragons d'Alcala
00:00:56
 
59. And Ravel, also in Spanish mode, does likewise
00:00:16
 
60. Ravel: Bolero
00:00:59
 
61. The bassoon as a voice of high seriousness, indeed desolate loneliness
00:00:15
 
62. Bax: Symphony No. 3: I. Lento moderato
00:01:03
 
63. The eerie bassoon in its highest register
00:00:15
 
64. Stravinsky: The Rite of Spring: opening
00:00:58
 
65. Stravinsky now draws on its lowest register, lonely and melancholy.
00:00:21
 
66. Stravinsky: The Firebird Suite (1919): Berceuse
00:01:01
 
67. The bassoon as concerto soloist, avoiding all exaggeration
00:00:14
 
68. Molter: Bassoon Concerto in G Minor: III. —
00:02:02
 
69. The deep-voiced contra-bassoon, as a fairy-tale beast
00:00:28
 
70. Ravel: Ma Mere l'oye (Mother Goose): IV. Beauty and the Beast
00:01:30
 
71. The French Horn under its woodwind hat
00:00:25
 
72. Nielsen: Wind Quintet, Op. 43: III. Praeludium - Tema con variazioni
00:01:42
 
73. Now a more prominent role, in a woodwind quintet from an earlier era
00:00:12
 
74. Reicha: Wind Quintet in A Minor, Op. 100, No. 5: II. Andante con variazioni
00:01:32
 
75. The horn in harmonious blend with strings in another quintet
00:00:16
 
76. Mozart: Horn Quintet in E-Flat Major, K. 407: III. Rondeau
00:03:55
CD - 4
Instruments of the Orchestra
 
1. The Trumpet as virtuoso soloist
00:01:02
 
2. Bach: Brandenburg Concerto No. 2: III. Allegro assai
00:02:37
 
3. The special brilliance of paired trumpets
00:00:19
 
4. Vivaldi: Concerto in C for two trumpets, RV 537: I. Allegro
00:02:54
 
5. The ceremonial trumpet
00:00:36
 
6. Copland: Fanfare for the Common Man
00:01:25
 
7. Trumpets and drums - an incomparable alliance
00:00:34
 
8. Handel: Messiah: The Trumpet Shall Sound
00:04:10
 
9. The versatility of the trumpet, from the most public to the most lonely
00:00:38
 
10. Gershwin: Piano Concerto in F: II. Andante con moto - Adagio
00:01:14
 
11. Gershwin: An American in Paris / Stravinsky: The Soldier's Tale: The March
00:02:05
 
12. Bizet: Carmen Suite No. 2: II. Habanera
00:00:55
 
13. The trumpet as the voice of strength and courage
00:00:13
 
14. Bizet: Carmen Suite No. 2: IV. Toreador's Song
00:02:20
 
15. Stravinsky: Petrushka: The Blackamoor / Prokofiev: Lieutenant Kije Suite: I. The Birth of Kije
00:01:14
 
16. Copland: Billy the Kid
00:01:16
 
17. The trumpet as character actor
00:00:31
 
18. Mussorgsky: Pictures at an Exhibition: Samuel Goldenberg and Schmuyle
00:02:25
 
19. The trumpet as the voice of God
00:00:15
 
20. Bach: Mass in B minor: Et expecto
00:04:35
 
21. The birth of the trombone
00:00:38
 
22. Anonymous: Aenmerckt nu hier
00:01:36
 
23. The birth of the brass as a family
00:01:24
 
24. Gabrieli: Canzon a 12 in Double Echo
00:03:18
 
25. The trombone in the eighteenth century
00:00:36
 
26. Albrechtsberger: Trombone Concerto in B-Flat Major: III. Finale
00:03:06
 
27. Hoser: Romance for trombone and organ / Berlioz: Requiem: Dies Irae
00:02:18
 
28. Liszt: Hosannah, S677/R409
00:01:20
 
29. The trombones become part of the orchestra
00:00:47
 
30. Beethoven: Symphony No. 5: IV. Allegro
00:02:46
 
31. Wagner: Tannhauser: Overture
00:01:04
 
32. The Trombone as caricaturist
00:00:13
 
33. Stravinsky: Pulcinella: No. 19: Vivo
00:01:37
 
34. Bartok: Concerto for Orchestra: IV. Intermezzo interrotto
00:01:46
 
35. The horn and the hunt
00:00:40
 
36. Mozart: Horn Concerto No. 4 in E flat, K. 495: III. Rondo
00:03:39
 
37. The challenging horn of the Baroque
00:00:42
 
38. Rameau: Abaris ou les Boreades: II. Menuet
00:01:20
 
39. The scarcity of first-rate players in Handel's time
00:00:24
 
40. Handel: Water Music: Suite No. 1 in F Major, HWV 348: Menuet
00:01:57
 
41. Stravinsky: The Firebird Suite (1919): Finale
00:00:59
 
42. Horns and the sound of nobility
00:00:12
 
43. Wagner: Tannhauser: Overture (opening)
00:00:56
 
44. The special sound of the horn in its higher register
00:00:11
 
45. Bach: Mass in B Minor: Quoniam tu solus sanctus
00:04:15
 
46. The trumpet-like sound of massed horns
00:00:21
 
47. Mahler: Symphony No. 3: I. Kraftig (opening)
00:00:38
 
48. The tuba - unfairly maligned?
00:00:49
 
49. Prokofiev: Symphony No. 6: III. Vivace
00:01:07
 
50. The tuba perfectly cast by Ravel
00:00:26
 
51. Mussorgsky: Pictures at an Exhibition: Bydlo
00:03:00
CD - 5
Instruments of the Orchestra
 
1. Introduction. And we begin with a bang.
00:01:02
 
2. Copland: Fanfare for the Common Man / Beethoven: Wellington's Victory, Op. 91 (opening)
00:01:03
 
3. At the opposite extreme is the triangle.
00:00:26
 
4. Liszt: Piano Concerto No. 1 in E-Flat Major: Scherzo
00:01:21
 
5. Categories of percussion: tuned and untuned. The side drum
00:00:36
 
6. Rossini: La gazza ladra (The Thieving Magpie): Overture (opening)
00:00:52
 
7. Nielsen: Clarinet Concerto (opening)
00:01:08
 
8. The tambourine. One of the oldest instruments in the world
00:00:21
 
9. Anonymous: Den hoboecken dans
00:01:43
 
10. Even older is the originally oriental gong.
00:00:28
 
11. Ravel: Ma Mere l'oye (Mother Goose): Laideronette
00:01:00
 
12. Britten: Peter Grimes: Passacaglia, Op. 33b
00:01:00
 
13. Satie: Gymnopedie No. 2
00:01:02
 
14. Elgar: The Sanguine fan / Cymbals clashed softly / Cymbals struck singly / Cymbals stroked with wire brushes
00:01:28
 
15. Ravel: Piano Concerto in G Major (opening) / Tchaikovsky: The Nutcracker: Act I Scene 5
00:01:05
 
16. Wood blocks
00:00:31
 
17. Copland: Rodeo: IV. Hoe-Down
00:00:44
 
18. Glinka: Jota aragonesa
00:01:09
 
19. Monteverdi: Scherzi musicali: Damigella tutta bella
00:01:50
 
20. A still earlier example from fifteenth-century Spain
00:00:30
 
21. Traditional: Yo m'enamori d'un aire
00:01:06
 
22. The birth of the bongo
00:00:33
 
23. Bernstein: West Side Story (Symphonic Dances)
00:01:39
 
24. Verdi: II Trovatore: Act II: Anvil Chorus
00:01:08
 
25. Grofe: Grand Canyon Suite: III. On the Trail / Varese: Arcana
00:01:27
 
26. Moncayo: Huapango
00:01:20
 
27. Onwards to the tuned percussion. First, the timpani
00:00:14
 
28. Strauss: Also sprach Zarathustra: Introduction
00:01:48
 
29. Mahler: Symphony No. 2, "Resurrection'": III. In ruhig fliessender Bewegung
00:00:29
 
30. Grofe: Grand Canyon Suite: I. Sunrise / Berlioz: Symphonie fantastique: V. Songe d'une nuit de Sabbat
00:00:37
 
31. Taking advantage of tunability
00:00:22
 
32. Bartok: Music for Strings, Percussion and Celesta: II. Allegro
00:02:25
 
33. Shchedrin: Carmen Suite: IV. Changing of the Guard
00:01:01
 
34. Shchedrin: Carmen Suite: V. Carmen's Entrance and Habanera
00:01:15
 
35. Saint-Saens and the xylophone
00:00:16
 
36. Saint-Saens: The Carnival of the Animals: Fossils
00:01:18
 
37. Ravel and the xylophone
00:00:11
 
38. Ravel: Ma Mere l'oye (Mother Goose): Laideronette
00:02:37
 
39. Shchedrin: Carmen Suite: III. First Intermezzo
00:00:38
 
40. Introducing the vibraphone
00:00:20
 
41. Steiner: The Treasure of the Sierra Madre: Narange dolce
00:01:25
 
42. Shchedrin: Carmen Suite: V. Carmen's Entrance and Habanera
00:00:57
 
43. Introducing the Hungarian cimbalom
00:00:23
 
44. Traditional: Folk Dances
00:03:00
 
45. The cimbalom and the symphony orchestra
00:00:10
 
46. Kodaly: Hary Janos Suite : III. Song
00:01:30
 
47. Introducing the tubular bells
00:00:17
 
48. Kodaly: Hary Janos Suite: II. Viennese Musical Clock
00:02:04
 
49. A more "up-front" approach from Rodion Shchedrin
00:00:06
 
50. Shchedrin: Carmen Suite: I. Introduction
00:01:08
 
51. Vaughan Williams: Symphony No. 7, "Sinfonia antartica": I. Prelude
00:00:38
 
52. Introducing the celesta
00:00:14
 
53. Tchaikovsky: The Nutcracker: Dance of the Sugar Plum Fairy
00:02:10
 
54. Magic, in the use of collective percussion
00:00:19
 
55. Ravels: Miroirs: V. La vallee des cloches
00:01:39
 
56. Shchedrin: Carmen Suite: VI. Scene
00:01:25
 
57. Tchaikovsky: The Nutcracker: Act II: Scene / Liszt: Hungarian Rhapsody No. 1
00:01:16
 
58. The traditionally subservient role of the harpsichord in the Baroque orchestra
00:00:48
 
59. Bach: Brandenburg Concerto No. 2: II. Andante
00:03:11
 
60. Saint-Saens: Symphony No. 3, "Organ": II. Allegro moderato
00:01:28
 
61. Stravinsky: Petrushka: Russian Dance
00:01:28
 
62. The anti-Romantic piano as an integral part of the orchestra
00:00:23
 
63. Bartok: Music for Strings, Percussion and Celesta: IV. Allegro molto
00:05:06
CD - 6
Instruments of the Orchestra
 
1. Keyboard instruments in the orchestra - the most powerful of them all:
00:00:18
 
2. Saint-Saens: Symphony No. 3, "Organ": II. Presto
00:01:49
 
3. But things in Handel's day were very different.
00:00:15
 
4. Handel: Organ Concerto in B-Flat Major, Op. 4, No. 3: IV. Gavotte
00:03:44
 
5. The organ is difficult to classify.
00:00:24
 
6. An unexpected, organ-related guest
00:00:14
 
7. Boismortier: Concerto pour Zampogna: III. Allegro
00:00:14
 
8. Peasant-fancying… and a touch of the roaming cowboy
00:00:40
 
9. Schoenberg: Les Miserables: Drink with Me
00:01:02
 
10. Mozart: German Dance, K. 603, No. 3
00:01:16
 
11. Mahler: Symphony No. 4: I. Bedachtig, nicht eilen
00:00:47
 
12. Mahler: Symphony No. 6, "Tragic": I. Heftig, aber markig
00:00:53
 
13. Anderson: The Typewriter / Satie: Parade
00:02:46
 
14. Varese: Integrales / Gershwin: An American in Paris / Anderson: Sandpaper Ballet
00:02:35
 
15. Vaughan Williams: Symphony No. 7, "Sinfonia antartica": I. Prelude
00:01:42
 
16. Strauss: Don Quixote: Variation VIII
00:01:13
 
17. Rodrigo: Concierto de Aranjuez: III. Allegro gentile
00:00:56
 
18. Seeger / Hays: Washington Breakdown
00:00:19
 
19. Steiner: The Treasure of the Sierra Madre: Packing Up
00:00:18
 
20. Prokofiev: Romeo and Juliet: Act II: No. 14
00:00:13
 
21. Steiner: The Treasure of the Sierra Madre: EI Desayuno
00:00:18
 
22. The bongos and the congas and a whole wealth of other drums from Africa and Central America
00:00:26
 
23. Evening Raga: Bhapoli
00:00:17
 
24. Ferre: Paris cancaille
00:00:20
 
25. Karas: The Third Man: Theme
00:00:25
 
26. Traditional: Folk Dances
00:00:21
 
27. Albeniz: Rondena
00:01:20
 
28. Traditional: Svetit Mesiats
00:01:02
 
29. Vaughan Williams: Symphony No. 7, "Sinfonia antartica": I. Prelude
00:01:27
 
30. Debussy: Nocturnes: III. Sirenes
00:04:15
 
31. Instruments and the imitation of nature. The clarinet as cuckoo
00:01:46
 
32. Saint-Saens: The Carnival of the Animals: The Cuckoo
00:01:46
 
33. The flute as an all-purpose aviary
00:00:14
 
34. Saint-Saens: The Carnival of the Animals: The Aviary
00:01:08
 
35. The oboe as duck
00:00:36
 
36. Prokofiev: Peter and the Wolf: The Duck
00:01:55
 
37. The recording of reality. Does it work as well?
00:00:12
 
38. Respighi: The Pines of Rome: III. The Pines of the Janiculum
00:01:17
 
39. The recording of reality electronically reborn in new guises
00:00:32
 
40. Rautavaara: Cantus Arcticus, "Concerto for Birds and Orchestra": II. Melankolia (Melancholy)
00:01:12
 
41. Beethoven turns avian: cuckoo, nightingale, and quail
00:00:26
 
42. Beethoven: Symphony No. 6, "Pastoral": II. Szene am Bach
00:01:12
 
43. Some importable casting: the violin as braying donkey
00:00:33
 
44. Saint-Saens: The Carnival of the Animals: Persons with Long Ears
00:00:47
 
45. A truly orchestral hee-haw to be reckoned with
00:00:09
 
46. Mendelssohn: A Midsummer Night's Dream: Overture
00:00:29
 
47. A thunderstorm in a million
00:00:17
 
48. Beethoven: Symphony No. 6, "Pastoral": IV. Gewitter, Sturm
00:03:57
 
49. The instrumental depiction of a silent world
00:02:07
 
50. Saint-Saens: The Carnival of the Animals: The Aquarium
00:02:20
 
51. Saint-Saens' menagerie takes a curtain call
00:00:24
 
52. Saint-Saens: The Carnival of the Animals: Finale
00:02:09
CD - 7
Instruments of the Orchestra
 
1. The grouping of instrumental families. An additive approach. First, two violins.
00:01:20
 
2. Bartok: 44 Duos: IV. Midsummer Night Song
00:00:47
 
3. A greater contrast, of both pitch and character, violin and viola
00:00:27
 
4. Mozart: Duo for Violin and Viola in B-Flat Major, K. 424: finale: variations 1 and 2
00:02:18
 
5. Arrival at the standard string trio: violin, viola and cello
00:00:12
 
6. Schubert: String Trio in B-Flat Major: III. Menuetto
00:01:09
 
7. The string quartet: two violins, viola and cello
00:00:12
 
8. Beethoven: String Quartet in F Major, Op. 18, No. 1: III. Scherzo
00:01:53
 
9. The string quintet - when the extra instrument is a second viola
00:00:30
 
10. Mozart: String Quintet No. 5 in D Major, K. 593: II. Adagio
00:02:21
 
11. The string quintet - when the extra instrument is a second cello
00:00:19
 
12. Schubert: String Quintet in C Major: III. Scherzo
00:02:12
 
13. The string sextet: two violins, two violas, and two cellos
00:00:16
 
14. Brahms: String Sextet No. 1 in B-Flat Major: II. Andante ma moderato
00:01:27
 
15. The string octet: the standard string quartet times two
00:00:20
 
16. Mendelssohn: Octet in E-Flat Major, Op. 20: movement 1
00:02:16
 
17. Double the string octet: a fully fledged string orchestra
00:00:15
 
18. Mendelssohn: String Symphony No. 2: III. Allegro vivace
00:02:12
 
19. The massed strings of a symphony orchestra
00:00:37
 
20. Vaughan Williams: Fantasia on a Theme of Thomas Tallis
00:02:58
 
21. Contrasts of pitch and instrumental 'colour' in the woodwind section
00:00:44
 
22. Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Theme
00:01:10
 
23. In the First Variation it's the horn that gets the lion's share
00:00:05
 
24. Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 1
00:01:28
 
25. In Variation Two the torch is handed to the bassoon
00:00:07
 
26. Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 2
00:01:08
 
27. In Variation Three the oboe leads
00:00:13
 
28. Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 3
00:01:12
 
29. Variation Four: conversation before returning to a solo-dominated texture
00:00:07
 
30. Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 4
00:01:17
 
31. And Variation Five is dominated by the clarinet
00:00:04
 
32. Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 5
00:01:12
 
33. The next to be featured is the virtuoso flute.
00:00:07
 
34. Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 6
00:01:22
 
35. Individual farewells and a closing chorus
00:00:19
 
36. Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 7
00:00:40
 
37. A mixed group: clarinet, bassoon, horn, string quartet, and double-bass
00:00:19
 
38. Schubert: Octet in F Major, D. 803: III. Trio
00:02:01
 
39. The early classical symphony orchestra of Haydn and Mozart
00:00:34
 
40. Mozart: Symphony No. 29 in A Major, K. 201: IV. Allegro con spirito
00:03:32
 
41. Strings, wind, but no brass. What Haydn and Mozart never knew
00:00:34
 
42. Gabrieli: Canzon 28
00:01:39
 
43. Beethoven's Fifth: two horns, two trumpets, and three trombones join the team
00:00:58
 
44. Beethoven: Symphony No. 5: IV. Allegro
00:04:28
 
45. From Beethoven to the massive orchestras of Berlioz, Wagner, and Mahler
00:00:27
 
46. Beethoven changed the face of the symphony and the orchestra forever.
00:00:47
 
47. Mahler: Symphony No. 6, "Tragic": I. Heftig, aber markig
00:01:44
 
48. The cult of orchestral elephantiasis reaches its peak
00:01:04
 
49. Brian: Symphony No. 1, "Gothic": VI. Te ergo quaesumus
00:01:43
 
50. When large doesn't necessarily mean loud: Debussy
00:01:10
 
51. Debussy: Images: I. Gigues
00:01:50
 
52. A crisis of confidence; the orchestra's survival hangs in the balance, but it still develops. The ondes martenot:
00:02:41
 
53. Messiaen: Turangalila Symphony: II. Chant d'amour I
00:01:14
 
54. The advent of the "early music" movement brings a new vitality and freshness
00:00:57
 
55. Lully: Ballet de Xerxes: Gavotte en rondeau
00:00:47
 
56. Computer and synthesiser: friends or foes?
00:01:35
 
57. Bach: Concerto in D Minor for two violins: II. Largo ma non tanto
00:02:13
 
58. Bach: Mass in B Minor: Dona nobis pacem
00:03:24
Katkıda Bulunanlar
    Bu Ürünler İlginizi Çekebilir
    Sosyal Medyada Opus3a