Deborah Polaski, Radio-Symphonieorchester Wien, Bertrand de Billy: Dukas: Ariane et Barbe-Bleue - CD
Dukas: Ariane et Barbe-Bleue - CD

Dukas: Ariane et Barbe-Bleue - CD

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Ürün Hakkında
Barkod: 5028421942544 , Katalog No: 94254 , Firma: Brilliant Classics , Yayınlanma Tarihi: 1 Eylül 2011
Format Türü: CD, Format: 2 CD

ENGLISH

<br><br>Premiered in 1907, Dukas's opera Ariane et Barbe-Bleue (after a Maeterlinck tale) caused much engergetic and heated discussion in the salons of Paris. The suffragette movement was in its infancy, and the oppression of women and the rampant inequality of the sexes - themes highlighted in the opera - were risky subjects for public discussion at the time. Ariane's magnanimous decision to let Blue Beard live at the end of the work and her refusal to obey him, was perceived as a demand for more femininity in politics. Her fight for freedom was seen as a cry for more rights for women.The treatment of the story, and the rise of National Socialism in the 1930s (Dukas was of Jewish extraction) saw to it that the work remained outside the operatic repertoire. It has however never lacked champions. Fellow composers Szymanowski, Busoni, Schoenberg, Berg and Webern were admirers.<br> <br> Dukas's score is a wonderful blend of Wagner, Richard Strauss, and impressionism. The spirit of Berlioz is also evoked in places – one can understand Bruno Walter's admiration for the work, and his view that it ranks alongside Pelléas and Melisande as one of the great French operas.<br> <br> OTHER INFORMATION:<br> - 'The soundworld of Paul Dukas's only opera, a seductive mixture of Straussian opulence and French transparency, makes any performance of Ariane et Barbe-Bleue compelling, even before the teasing symbolism of Maurice Maeterlinck's libretto weaves its own spell. It is one of the great undervalued operas of the early 20th century, a proto-feminist take on the Bluebeard myth, in which Mélisande is also retrospectively revealed (after Maeterlinck's stage play and Debussy's opera based on it) as one of the serial murderer's former wives' The Guardian 2008.<br> - 'Bertrand de Billy is a strong advocate for the work in this live recording from a concert performance in the Vienna Konzerthaus. The sound is vivid enough and chorus<br>
Eser Listesi
CD: 1
Paul Dukas
Ariane et Barbe-bleue
 
1. Act 1. À mort! À mort!
05:56
 
2. Act 1. Où sommes-nous?
03:40
 
3. Act 1. Que faites-vous?
02:24
 
4. Act 1. Prenez-les! Penchez-vous!
01:55
 
5. Act 1. Ce sont de beaux saphirs
01:14
 
6. Act 1. J'en recuille une poignée qu'elles caressent les saphirs!
00:41
 
7. Act 1. Oh! celles-ci sont plus vertes que le printemps
01:23
 
8. Act 1. Celles-ci sont terribles, et je n'y touche point
01:51
 
9. Act 1. Ô mes clairs diamants!
04:51
 
10. Act 1. Ariane, que faîtes-vous?
03:51
 
11. Act 1. Vous aussi?
01:57
 
12. Act 1. Que voulez-vous?
02:27
 
13. Act 2. Prelude
05:02
 
14. Act 2. Écoutez!
03:04
 
15. Act 2. Ah! Je vous ai trouvées
04:43
 
16. Act 2. Comment s'appele celle qui revient?
03:12
 
17. Act 2. Mais celle qui me regarde à travers se cheveux
04:55
 
18. Act 2. Où êtes-vous?
05:40
 
19. Act 2. Voilà, celle-ci encore et encore celle-ci!
02:29
 
20. Act 2. Je vois la mer!
08:16
CD: 2
Paul Dukas
Ariane et Barbe-bleue
 
1. Act 3. Prelude
05:44
 
2. Act 3. Nous avons pu sortir du château enchanté
05:45
 
3. Act 3. Cela vient d'elle-même et se cachait en elle
04:28
 
4. Act 3. Quelles bagues choisirai-je?
02:45
 
5. Act 3. Il revient! Il est là!
02:16
 
6. Act 3. Voilà les paysans qui sortent des fossés
03:52
 
7. Act 3. Voilà les paysans qui sortent des fossésAct 3. Non! Pas cela! Ne le tuez pas!
02:32
 
8. Act 3. Madame?... On peut entrer?
03:00
 
9. Act 3. Vous étiez à genoux!
06:29
 
10. Act 3. Adieu
09:35
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